FRANCESCO COLASANTO

"Colasanto's compositional style is deliberately far from the avant-garde of the twentieth century and, in my opinion, also from Wolfgang Rihm's German Neo-romanticism, while it takes up some formal and harmonic characteristics of the neo-tonal language of the New Symplicity composers, such as those of the English John Tavener and the Polish Mikołaj Górecki. within a writing centered on simple and sometimes repeated motifs, often superimposed and organized according to a classical harmonic logic with some hints of early twentieth century French modernism. "

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Egidio Pozzi - Università della Calabria